Shimmering Shizuoka (Part 2 of 2)

–Gorgeous Beaches and Mountains in One Prefecture

A bridge over the Oi River, as seen from the Ikawa Line

Introduction:

The following are more highlights from my recent travels to Shizuoka prefecture. (Part 1 can be found here.)

1月から2月にかけて、静岡県における3週間の通訳のお仕事の傍ら、県内のあらゆるところを観光しました。下記の投稿は、前編に続き、特に印象深かった箇所を取り上げます。

6. Train rides along the Oi River

This was hands down my favorite activity in Shizuoka! As a big fan of trains, I was thrilled to learn that Oigawa Railway, a local train company, still runs steam locomotives. I expected the ride to be more bumpy, but it was just as smooth as electric trains–the only difference were the puffs of smoke we could see from the window and the slightly smoky smell! It’s usually an hour-long ride on the Oigawa Main Line running alongside the Oi River. After a typhoon last fall, the ride has been cut to 30 minutes, but it was still well worth it!

Great train rides should always be enjoyed with food, and I was super excited to find cute train-related sweets. I particularly enjoyed one called “SL (steam locomotive) food,” a pack of peanuts coated in a mixture of black sesame powder, soy bean powder, and sugar. It’s meant to look like the coal that’s “fed” into the steam locomotive–and I thought that concept was so cute! I melted upon seeing the back of the package: it has an illustrated disclaimer (probably meant for little boys) that warns, “unfortunately, eating this won’t turn you into a steam locomotive”!

After enjoying the steam train, I switched to the Ikawa Line (a regular train also run by Oigawa Railway), which goes further up the Oi River. I really wanted to visit Okuoikojo Station, which is on a tiny piece of land jutting into the riverbend. The isolated station looks like it’s on top of an island, and the contrast of the greenery, the turquoise water, and the red bridge is absolutely gorgeous. Part of the bridge is walkable on foot, so it’s easy to cross to the other side of the river and head to the vantage point where you can take in this incredible view.

Okuoikojo Station is the tiny structure in the middle of the bridge

Okuoikojo Station is so remote and free of light pollution that on weekends during the winter, Oigawa Railway runs special roundtrip trains to the station at night. Passengers spend an hour gazing at stars before the train heads back. This sounded really nice, too (it reminds me of Kenji Miyazawa’s story, “Night on the Galactic Railroad”), but it was fully booked that evening. Maybe some other time!

A view of the walkable part of the bridge stretching from Okuoikojo Station. I love the dramatic straight path and the light streaming from the clouds–a nice metaphor for a better tomorrow!

Incidentally, Ikawa Line is the only line in Japan that uses what’s called an Abt system, a rack-and-pinion railway that allows trains to go up or down steep inclines. The steam locomotive, the beautiful Okuikojo Station, and the Abt system all make train rides along the Oi River a fun trip worth exploring!

7. Shizuoka City (Other Highlights)

While I’ve already discussed various locations within Shizuoka City (such as Kunozan Toshogu and Miho no Matsubara), downtown Shizuoka has many other locations to sightsee.

One of the main spots is Sumpu Castle, which Tokugawa Ieyasu built. While only part of the castle remains today, the premises have been turned into a park, so it’s a very nice place to walk around, read the descriptions, and learn about history. The park is surrounded by a moat, and crossing the bridge to enter the park feels like you’re traveling back in time!

Sumpu Castle in the evening–a beautiful place to walk around

2023 happens to be a special year to commemorate Ieyasu, because NHK, Japan’s public broadcaster, is airing a year-long historical drama that focuses on him. Until I visited Shizuoka, I didn’t realize how strong his ties to this area were. Dozens of historical locations throughout the city highlighted their connections to Ieyasu, often by displaying posters of the drama.

The lobby of my hotel displayed the replica of an armor that was worn by Ieyasu. The Japanese restaurant in the hotel served Ieyasu specials based on dishes that he apparently liked!

Another highlight is Shizuoka Sengen Shrine, which is just a 10-minute walk away from Sumpu Castle. It’s a collection of seven shrines, each with distinct buildings that enshrine different gods.

The impressive gate leading to two of the shrines. The board in the foreground that says 鬼 (demon) was apparently used during setsubun (a spring festival to drive evil spirits away) on Feb. 3.

One of the shrines sits atop a mountain, and behind it is a hiking trail. On that trail I found this fascinating set of stairs. I thought it could serve as a metaphor for the many different paths we can take before reaching a goal: shall we climb steep stairs quickly, go up more gradual steps slowly, or give up and and go back down?

Another place worth visiting is the Shizuoka City Museum of Art. It’s a compact but modern space atop a building in downtown Shizuoka, less than a 10-minute walk from Shizuoka station. I enjoyed an excellent exhibit on Sugiura Hisui, who was a pioneer in modern Japanese graphic design.

A social media booth based on Sugiura’s poster (1927) commemorating Japan’s first subway system

Setsubun was not the only seasonal event celebrated. In the lobby of my hotel was a wonderful display of dolls for Hinamatsuri (Doll Festival or Girls’ Day), which celebrates the health and development of young girls. I, too, grew up decorating hina dolls, but have never seen dolls hanging down like this. They are apparently called tsurushibina, and I was delighted to learn that Shizuoka is one of the prefectures that has this tradition. Because hina dolls tend to be expensive, family members and friends would apparently visit girls together, bringing pieces of cloth and sewing them to create dolls.

Shizuoka is a dynamic city with many different faces. Apparently it is also known for plastic models (major toy companies like Bandai have factories here). I was delighted to come across this cute sculpture in Shizuoka Station: a plastic model of payphones!

8. Yaizu City

Yaizu is a port city where a lot of the seafood Shizuoka is known for is caught or processed.

A fishmonger Hello Kitty welcoming visitors to the Yaizu Fish Center

The Yaizu Fish Center is a big fish market with several eateries. The lunch I had there packed so many Yaizu / Shizuoka specialties: tuna and bonito sashimi, shirasu (whitebait), a kakiage of tiny sakura shrimp, and miso soup with crab.

The fish market had many gacha (capsule toy) machines or simple arcade games. That in itself isn’t surprising, but upon closer inspection, I found that the prizes were related to seafood! This included salmon roe, frozen lobsters, and even a 3kg tuna delivered to your home. The gacha machine that offered the tuna grand prize was expensive, costing a cool 1,000 yen to enter (although there are consolation prizes of seafood-related trinkets)!

I also loved this sign encouraging visitors to maintain a social distance worth the length of two bonitos (but I wonder how many people know how long bonitos are?!).

9. Yui (Shizuoka City)

Yui is another area in Shizuoka City that has its own distinct flavor (literally!). It’s known as the place where sakura shrimp are caught, and I very much enjoyed seeing quirky shrimp sculptures everywhere.

The subject (shrimp!), the stringy appearance of the shrimp sculptures, and the blue tiles that look like the bottom of pools make this one of the quirkiest works of public art I’ve ever seen!

Yui is also part of the old Tokaido Road that connected Tokyo and Kyoto during the Edo period (early 1600s to late 1800s). It was a post station where travelers could rest, and has maintained historic buildings such as honjin (large local residences where traveling samurai stayed), some stores, and even water troughs for horses.

The main reason I was in Yui was to visit the Shizuoka City Tokaido Hiroshige Museum of Art. As Yui makes an appearance in Hiroshige’s masterpiece, 53 Stations of the Tokaido (a series of ukiyo-e highlighting post stations along the old Tokaido Road), this seemed like the perfect place to appreciate both Hiroshige and Shizuoka.

The museum was fairly small, but I loved the comprehensive permanent exhibit that explains the history and technique of ukiyo-e. It makes interesting comparisons to modern equivalents, describing how scenic ukiyo-es (such as 53 Stations of the Tokaido) were like travel guidebooks, while portraits of kabuki actors were like entertainment magazines.

I thoroughly enjoyed the Hiroshige prints on display as well–I love the subtle humor he exudes in the expressive body language of tiny people and animals.

“Fukagawa Lumberyards” by Hiroshige (from “One Hundred Famous Views of Edo”). I love the tiny puppies showing their cute butts on the lower left!

One of the best parts of the museum was a small station that allows visitors to make their own ukiyo-e prints to take home. The design changes periodically, and on this day it was “Yui” and “Okitsu” from 53 Stations of the Tokaido Road.

The DIY ukiyo-e station for “Yui.” This activity alone is well worth the visit to this museum!

10. (Bonus) Food

I thoroughly enjoyed the food in Shizuoka prefecture. This included seafood like sakura shrimp and shirasu, as well as agricultural products like strawberries. Local dishes like Shizuoka oden (stew with fishcakes) and Hamamatsu gyoza (fried dumplings) were memorable, too.

But one of the best discoveries for me was related to unagi (eel). I visited a lovely restaurant (left photo) where they use unagi raised with sashimi. It was so good! And there, I learned about snacks called “unagi bones” (right photo)–fried eel bones! I’d never had these before, and loved these crispy, calcium-rich snacks so much that I bought several packets (in salt and soy sauce flavors).

When I visited Hamamatsu, I also came across a cute dessert place called Unagiimo. I was surprised to learn that this store uses Japanese sweet potatoes grown with fertilizers made from unagi parts, such as bones and heads. (Its mascot, which reminded me of Slime from Dragon Quest, is in fact a sweet potato whose body is an eel.) I love how innovative and environmentally friendly this concept is!

Pink mochi (sooo cute!) with sweet potato cream (right) and a cookie sandwich with cream (left)

One of the best known Shizuoka specialties, though, is probably green tea. I couldn’t resist visiting Nanaya, a cafe and store that specializes in matcha desserts. They’re well known for their tea-flavored ice cream, which runs the gamut from matcha (in SEVEN different levels, depending on how strong you want the matcha flavor to be) to hojicha (roasted green tea) to genmaicha (green tea with roasted brown rice). I tried genmaicha, black sesame, and matcha No. 7–the latter has a very rich, deep flavor, and definitely worth experiencing!

All in all, I had a wonderful three weeks in Shizuoka. I feel so lucky to have had the chance to explore the prefecture in depth, and would love to revisit again soon!

Shimmering Shizuoka (Part 1 of 2)

–Gorgeous Beaches and Mountains in One Prefecture

The view from Mt. Kuno in Shizuoka City

Introduction:

The following are highlights from my recent travels to Shizuoka prefecture. (Click here to see Part 2.)

1月から2月にかけて、静岡県で3週間にわたる通訳のお仕事をしました。仕事が終わった後の平日夕方や週末は、静岡の海、山、神社仏閣など、あらゆるところを観光しました。気候がよく、美しく、食べ物もおいしくて、本当に素敵な場所でした。下記の投稿(そして続編)では、特に印象深かった箇所を取り上げます。

For three weeks from January to February, I had an interpretation assignment in Shizuoka prefecture. I had visited the prefecture before, but never had the opportunity to explore it in depth. I took advantage of any time off I had to explore beaches, mountains, museums, and shrines–and fell in love with the amazing sights and food the prefecture offers. Here are some highlights, in alphabetical order of location. (The rest will continue in a second blog post.)

1. Fuji City

The view of Mt. Fuji from a local train (the Tokaido Line) heading to Fuji City. Cropped out of this photo are commuters nodding off on the train (it was early in the morning), all with their backs to this amazing view!

Fuji City is one of Shizuoka’s cities that’s closest to Mt. Fuji, and offers great views of the snow-capped mountain. It’s about 30 minutes from Shizuoka station by local train, and a mere 10 minutes by bullet train.

I was lucky enough to be in Fuji City when a local temple called Myohoji hosted an annual festival called Bishamontensai. This is apparently considered one of the largest daruma festivals in Japan. There were daruma dolls of every size, with multiple color variations that promised good fortune in different aspects of our lives (academic success, health, romantic happiness, etc.). Many local residents had brought their own old darumas to be burned, some so big that they have to be carried in both arms. I bought some tiny ones for good luck. Tradition says that we’re supposed to draw in its left eye when we make a wish (and its right eye when that wish comes true), but they’re so cute that I’ve kept them as is–I worry that I might ruin their faces!

A manhole cover (illustrated manhole covers are a big thing in Japan!) in Fuji City, with Princess Kaguya from The Tale of the Bamboo Cutter. Mt. Fuji makes an appearance in this Japanese fairytale that’s about a thousand years old.

2. Fujinomiya City

Fujinomiya is another city that is close to Mt. Fuji and honors the majestic mountain in many ways.

Central to this is a shrine called Fujisan Hongu Sengen Taisha. I was drawn to the name because when I lived in Tokyo as a child, there was a Sengen shrine in my neighborhood–I didn’t realize until now that Sengen shrines throughout Japan all honor Mt. Fuji, and that this shrine in Fujinomiya was the main one! I especially loved the pond at the back of the shrine, which serves as a nice oasis in the middle of the city. The water comes from melted snow trickling down from Mt. Fuji, and there are bamboo pipes that capture this water for visitors who wish to drink it or wash their hands.

Fujinomiya is also home to the Mt. Fuji World Heritage Center. Mt. Fuji and multiple entities related to it (including the Fujisan Hongu Sengen Taisha) were designated a UNESCO World Heritage Site in 2013. This center apparently opened four years later. I fell in love with this gorgeous, modern building that complements the torii gate right next to it. It’s also shaped like an upside down mountain. Visitors first go to the top and gradually descend gentle slopes that wind down. I enjoyed visiting galleries that examined the geology and history of Mt. Fuji, including how the mountain has been revered as a deity and honored in numerous works of art and literature.

I love how, when reflected upside down into the water, the building looks like a mountain

I then took a 30-minute bus ride to visit Shiraito Falls, which is also part of the Mt. Fuji World Heritage Site. The falling water that comes from Mt. Fuji certainly looks like a bunch of white thread (the meaning of “shiraito”) and is very pretty. I was especially amazed at how blue the bottom of the waterfall was. The one unfortunate aspect was that the trees and grass were a disappointing brown. Of course that can’t be helped during the winter, and I suspect everything looks even better during the warmer months.

3. Hamamatsu City

While Shizuoka City is the prefectural seat of government, the biggest city is actually Hamamatsu. It’s at the edge, almost bordering Aichi prefecture, and about an hour away on the local train (20-30 minutes on the bullet train) from Shizuoka City.

My guidebook suggested several places to visit, but as a fan of all things related to art, I made a beeline to the Hamamatsu Museum of Musical Instruments. In contrast to similar institutions in the West (such as the Musical Instruments Museum in Brussels and the musical instruments section at the Met), there was of course a big emphasis on Asian instruments. This included traditional Japanese instruments that are used for gagaku or kabuki performances, as well as several grand instruments from other Asian countries.

Colorful instruments from Indonesia (foreground) and Korea (background)

I also made a quick visit to Hamamatsu Castle, a replica of the castle Tokugawa Ieyasu, the first Tokugawa shogun, had spent his youth in. It was too late for me to tour inside the castle, but I enjoyed walking around and examining the exterior of this compact but elegant building.

4. Kunozan Toshogu (Shizuoka City)

This beautiful shrine in Shizuoka City is a short train and bus ride away from Shizuoka station. It’s a smaller version of the Toshogu in Nikko, and where the grave of Tokugawa Ieyasu lies. It’s up on a mountain (Mt. Kuno) by the ocean, and has about 1,000 steps to the top–but the breathtaking view is definitely worth the hike.

While a thousand steps is a bit of workout . . .
. . . this view makes it all worth it
(and there are cable cars available for those who don
t wish to
or are unable to walk)

The bright colors of the Toshogu looked especially beautiful against the blue sky. Plums trees (including a tree that was supposedly planted by Ieyasu himself) were blooming nicely on this late January day.

Incidentally, this area is also known for its strawberries. Since they’re grown in greenhouses (which can be seen in the photo above, lining the beach), strawberry season had already begun in January! I bought a box as well as some desserts like strawberry daifuku (mochi stuffed with red bean paste).

Shizuoka is also known for its sakura shrimp, or tiny dried shrimp eaten whole. For lunch, I had the biggest, crunchiest, most delicious kakiage (a type of tempura with shredded vegetables or tiny shrimp) I’ve ever had!

The kakiage was as big as the udon bowl (!), and seemed to contain at least 30 tiny shrimps

5. Miho no Matsubara (Shizuoka City)

This is a famous spot on the beach for scenic views of Mt. Fuji, and is also a short bus ride away from Shizuoka station. Mt. Fuji looked a bit farther than I expected, but I caught the sunset in time to see the mountain bathed in pink. The blue waters, black sand, pieces of white driftwood, and gorgeous rocks that were flattened after years of tumbling in the waves made for picturesque photos!

This place is also known for being the location where The Legend of the Winged Robe takes place. The funny thing was that the sign that described the story said that the man immediately returned the winged robe to the celestial maiden. The versions of the story I’ve heard have the man hiding the robe and forcing the maiden to be his wife. I couldn’t help but chuckle and wonder if there’s some local bias that paints a favorable picture of this man . . . (Incidentally, when I looked up the English title of this story, I found that different iterations exist all over the world, including the West. How fascinating!)

There’s also a beautiful wooden walkway, surrounded by pines, that connects this beach with another shrine called Miho Shrine. While most of the walkway is a straight line, I was fascinated by this one location where the path curves a bit to allow for a pine that leans forward. This seemed like a great metaphor for the journey of life: sometimes unexpected incidents prevent us from going forth in the way we envision, but we must be strong enough to find news ways to keep going.

More Shizuoka adventures are available in Part 2 .

Friendly faces in Los Angeles

–Reflecting upon the 2019 USJC Annual Conference

At my workplace, the U.S.-Japan Council (USJC), the biggest event of the year is our Annual Conference. This year’s conference, held in Los Angeles last month, was an even bigger deal because it was our tenth one. The organization was founded a decade ago by Japanese Americans, many of them based in LA, who sought to strengthen U.S.-Japan relations. We’ve held our Annual Conference in many cities, but never before in Southern California–so this was a homecoming in many ways. 

The yagura in Japantown with early Christmas decorations

Working in Communications 

It is always rewarding to see various projects we’ve worked on for months turn into something tangible. More than a dozen video interviews of members, which we had conducted in Los Angeles, Silicon Valley, and Tokyo in celebration of our 10 year anniversary, turned out well–and members eloquently described how USJC has impacted their lives. As always, it was exciting to hold the print program (with 50 or so speakers whose bios we edited in both languages) in our hands, and I enjoyed witnessing how various scripts and speeches I drafted were incorporated into the announcements of emcees and board members. I only had a minor role in media relations this year, but it was nice to sit in with interviews by The Washington Post or others, or see how excited some speakers were to be covered by NHK.

Members and supporters

As a staff member, I always find it rewarding to catch up with members and supporters who contribute to U.S.-Japan relations in unique ways. Their backgrounds vary widely, but all share an interest in wanting to bring our countries closer together. One of our speakers was Ted Homma, a Silicon Valley-based Japanese entrepreneur working on smart homes. We’d first met a few years ago through the kind introduction of his friend, Daiki Michishita–who in turn was part of a State Department delegation (themed on inclusive education for children with disabilities) that I had been interpreting for. Back then, Mr. Homma was about to found his new company, and his friend was a member of the Hokkaido Legislative Assembly. Since then, Mr. Homma’s company has been thriving, and he has supported a lot of people-to-people exchanges between Silicon Valley and Japan, including the Silicon Valley Japan Platform. Mr. Michishita has since become a Diet Member, and kindly stopped by our Annual Conference in Tokyo last year. I’m honored to know them both! Even if conversations are brief, where we mostly greet each other while rushing by, I gain a lot of energy and inspiration from these face-to-face moments.

The Conference also brought rare opportunities to talk with people we wouldn’t meet otherwise. When some of us staff members had the opportunity to talk to the ShibSibs backstage, I was amazed by how friendly and polite they were in person. I was also lucky enough to join a backstage photo with friends and alumni from my alma mater (Iolani School in Honolulu), where we surrounded a fellow alumnus who spoke at the Conference: Bobby Webster, General Manager of the Toronto Raptors (2019 NBA Champion).

A panel discussion welcoming young Japanese American leaders, with (L-R) moderator and USJC Board Member Jan Yanehiro, Bobby Webster, professional dancer Koine Iwasaki, Maia Shibutani and Alex Shibutani (Photo courtesy of USJC)

Leadership

As staff, we rarely get to fully see or hear the content of the Annual Conference as it happens. But for part of the Conference, which was a series of workshops on leadership, I was one of the observers whose job was to listen and evaluate the content. One of the sessions I observed was about how to serve on boards. The speakers–including the USJC Board Chair–shared their experience with corporate, government, nonprofit and academic boards. One of my favorite parts of the discussion was this slide–made all the more perfect because, as one of the speakers pointed out, it looks like a plum blossom! I took copious notes on the back of my evaluation form (and took a photo for my records!).

A plum-shaped chart on leadership

Food and fun

After the conference, us staff members enjoyed lots of Japanese and East Asian food. Some were a bit different from what’s usually served in Japan–but that made it all the more interesting! It was nice to have such easy access to Japanese dishes, books, stationary and other items that are so scarce in DC. I also got to catch up with my middle school friend who moved to LA last year, and met her two-month-old daughter.

With fried (!) takoyaki at Shin Ramen

While preparations leading up to and during the Conference were grueling, it was still nice to see many familiar faces and learn new ideas!

Satsuma Shochu and memories of Kagoshima

–Interpreting about shochu and remembering my grandfather

Mr. Hamada (right) speaking about Saigo Takamori (on the screen), the model for The Last Samurai

Last month, I had the chance to interpret another event with the Smithsonian, this time themed on Satsuma Shochu, a distilled drink (shochu) from Kagoshima prefecture. I was thrilled to be involved, since Kagoshima, the second most southern prefecture in Japan, has a very special place in my heart. But more on that later . . .

Satsuma, the land of the brave

The event featured five speakers, including restaurateurs (the founder of Daikaya restaurant, who I was starstruck to meet!) and beverage specialists who spoke about shochu, and Kagoshima natives who discussed the prefecture’s characteristics from various angles. I interpreted for Mr. Yuichiro Hamada, CEO of the Hamada Shuzo distillery and Chair of the Kagoshima Shochu Makers Association.

Audience members seemed enthused to learn about shochu, but Mr. Hamada made the topic even more accessible by talking about the movie The Last Samurai: the model of Katsumoto Moritsugu (played by Ken Watanabe) was Saigo Takamori, a renowned historical figure from Kagoshima. Mr. Hamada said that Saigo embodied the samurai spirit, bringing together warriors to oppose the new imperial Government of Japan by leading the Satsuma Rebellion (1877), the last civil war in Japan.

Even before this conflict, the Satsuma domain (as Kagoshima used to be called during the Edo period) had been unique. As a region, it recklessly went to war with Great Britain (1863). Mr. Hamada also talked about how, when Japan was closed off to any interaction with most countries, Satsuma disobeyed orders by sending several students to study abroad (1865) in London. In honor of this, one of Hamada Shuzo’s shochu brands is called “Kaido” (meaning “children of the sea”) and is in a red bottle–commemorating how, when the students embarked on their forbidden trip, no one could see them off at the port except for the red, setting sun.

The shochu “kaido” (in the red bottle) symbolizing the red sun

Shochu in practice

Mr. Hamada also talked about the culture of “daiyame”–a word that means to “stop being tired” in the Kagoshima dialect–and how people in Kagoshima get together to enjoy shochu with dinner and celebrate the end of the day. He also discussed his childhood growing up as a shochu maker, and the three distilleries his company owns. One of them is inside an old goldmine, and shochu made there uses a special kind of fungus called “gold koji” (koji are usually yellow, black or white). His staff uses the old mine carts to go back and forth in the long tunnel–and outside working hours, tourists are welcome to use those carts, too!

Creative takes on shochu

The list showcasing the local mixologists and chefs who presented shochu cocktails and dishes.

The following day, my friend and I attended a shochu-themed reception held in conjunction with the Smithsonian event. This reception, hosted by the Embassy of Japan, featured seven pairings of shochu cocktails and appetizers from bars and restaurants around DC. While I don’t usually drink, I couldn’t resist trying a pink shochu cocktail called “Cherry Blossom,” and a bottled yuzu shochu from Kagoshima. Both were so pretty and delicate, completely changing my view that shochu was a drink for older men. There are more than a dozen different kinds of shochu, including those using sweet potato, barley, and brown sugar, and I’ve heard that the tastes of those main ingredients really come through. So creating cocktails must be tricky–but this was just like a refreshing juice!

The light, gorgeous “cherry blossom” shochu cocktail

Memories of Kagoshima

Working with this event reminded me of my grandparents. When I was a child, my mother’s parents lived in Kagoshima City, and my father’s parents were in Sapporo. So whenever I visited Japan with my parents, we visited two completely different cities that were almost at the northern and southern ends of the country.

Hokkaido is beautiful, but lesser known Kagoshima is also very unique. The majestic volcano of Sakurajima, a symbol of the prefecture, is active and often spewing ash, which falls in whatever direction the wind blows. When I was a child, the ashes rained on Kagoshima City in the summer. When I once attended a local school in June and July (summer break begins later than in the U.S., so a lot of parents send their children to Japan during that time), my classmates and I were gray from head to toe, the ash sticking to our sweaty limbs as we ran around.

The majestic Sakurajima

My grandfather was in Kagoshima because he was the head of Kagoshima Bank. He was allocated a big house that had three bathrooms, a long hallway in which he liked to practice putting, and various treasures (including books, a huge tortoise shell that hung on the wall, and beautiful golden clocks with pendulums). He bought laser discs (which were cutting edge at the time), including several for me to watch when I visited, including The Dark Crystal and animated films.

And he loved to drink. My image of him will always be of him watching baseball with a glass of beer. But he also worked very hard. As a young man from Tokyo, he got into the top school at the time and entered the Bank of Japan. (I was horrified to hear from my mother later on that, the very day he was accepted at the Bank, his father said, “now we’re set for life” and actually quit his own day job!)

My mother notes that my grandfather worked so much because he wanted to give my grandmother the life she deserved. He dreamed of retiring and traveling with her. My grandmother had lived with and taken care of my grandfather’s parents, and raised three children (who added to her work by constantly adopting new pets from the streets!).

But he passed away before he could retire. I still remember when I was five years old, when he lifted his shirt and showed me the stitches on his stomach. He was beaming, proud of having survived cancer. But his illness came back, and he passed the following year. (I wrote a story about this in college.)

Even though my grandmother was originally from Tokyo, she continued to live in Kagoshima after that. She moved to a small apartment and continued to cook for herself, including laborious ceremonial dishes on New Year’s Day, and always served my grandfather at the butsudan (Buddhist altar) before taking her first bite. Whenever my mother visited Kagoshima with the intention to help, my grandmother insisted on hosting her as a guest, and they often argued on who should look after whom. For decades she remained active in her community, from golfing to chorus, to playing mahjong with friends. But she’s in her 90s now. Having survived a few cancers herself and lost some of her friends, she moved back to Tokyo a few months ago, to be closer to my mother and my uncle.

Now I have no family in Kagoshima. When my grandfather passed, he became someone that I could only recall from childhood memories and my mother’s stories. But now, more recent moments from Kagoshima–like Sakurajima’s ashes when we visited my grandmother in the summer, the local sweets that she continued to send to me over the years, as well as the stubborn but kind spirit of the local people–have also become bittersweet memories.

Those memories came rushing back to me with this Satsuma Shochu event. One speaker talked about the melancholic beauty of the ashes falling from Sakurajima, and it was wonderful and heartbreaking at the same time. Many see the ashes as a nuisance, and I didn’t know anyone else who thought they were pretty! Having been reminded of the history of the prefecture, I also felt proud to be connected to such a unique place. And when I told my mother about Mr. Hamada’s speech, she said that my grandfather enjoyed “daiyame,” and that he would’ve been thrilled to know that I was involved with this event.

A few weeks ago, I received a letter of thanks from Mr. Hamada. I was so touched that he took the time to write. And I realized that thanks to this job, I now know someone in Kagoshima again. I hope to one day ride those mine carts in his distillery and create new memories. Like those shochu cocktails, perhaps I can add some new lighthearted experiences to those strong memories of my youth, creating a swirl of unforgettable impressions of Kagoshima.

With the speakers of the event. Many, many thanks to the Embassy of Japan, Happi Enterprises and Daikaya for this opportunity!

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–Sake brewers and experts who are finding a global audience

The stage at the beautiful Baltimore Museum of Art, prior to the event

Last month, I had the opportunity to interpret for sake events that were held at the Freer|Sackler Gallery and the Baltimore Museum of Art. A friend, who was emceeing the events, kindly recommended me as the interpreter. While the interpretation itself was very short, I learned a lot from this experience.

These events, hosted by the Embassy of Japan, were a screening of the documentary Kampai! For the Love of Sake followed by a sake tasting. The two events, held on two consecutive days, were very similar except that they were geared towards audiences in different cities. 

The film

The film follows three trailblazers in the sake industry. One is a British citizen who, upon moving to Japan, becomes so enamored with sake that he joins a sake brewery, becoming a master brewer who creates so many new types of sake that his boss stops him from coming up with new ideas. Another is an American citizen who, also falling in love with sake after moving to Japan, becomes a “sake evangelist” who promotes sake in English to a global audience by publishing several books, teaching courses, and giving lectures worldwide. Another is a fifth-generation sake brewer who has brought new techniques to his family business, and promotes his sake by traveling abroad or using new methods like social media.

Each person broke barriers, and it is pleasantly surprising that such a traditional field is welcoming innovation and globalization. It is no doubt a testament to the strength and talent of these three individuals, as well as the foresight and kindness of those around them.

Mr. Kuji

Mr. Kuji captivating the audience (Photo courtesy of the Embassy of Japan Twitter)

Mr. Kosuke Kuji, President of Nanbu Bijin Brewery in Iwate Prefecture, the fifth-generation sake brewer featured in the documentary, came to DC and Baltimore to promote the film. 

His backstory is particularly compelling. During the film, he talks about how sake brewing was traditionally left to toji, or the master sake brewer, and that the head of the breweries were in charge of promotion and representing the company. But through Mr. Kuji’s own conviction, as well as a generational change among staff, he was able to bring in new ideas that he learned in agricultural college. Determined to bring his sake to a worldwide audience, he traveled to New York and visited sake pubs one by one, convincing them to try his sake. When the Great East Japan Earthquake struck in 2011, and people abstained from alcohol because of the mourning and somber mood following the disaster, Mr. Kuji took to social media to appeal to the public that consuming goods from the Tohoku region was in fact more helpful to support the local residents. 

After each film screening, Mr. Kuji gave a brief speech, setting the stage for the sake tasting. It was this speech that I had the opportunity to interpret.   

Mr. Kuji already seemed affable on screen, but in person, his warmth, sense of service, and hospitality came through even more clearly. I was worried about the technical vocabulary related to sake, including the process of rice milling, fermentation, etc., but when he and I met to prep before the event, he quickly assured me (even without me asking him) that he’d keep his speech simple. I was so relieved to hear that!

On stage, he said that he appeared in this film with the hopes of introducing sake to a wide audience. He mixed in a few lines in English and made everyone laugh. He enticed those in the auditorium to try his sake with a “virtual kampai,” and described in detail the aroma that would be wafting from a sake cup filled to the brim.

During the sake tasting, he stayed at the Nanbu Bijin (which was one of four sakes from around Japan being promoted at this event) booth for a while, answering questions. And for the duration of what must have felt like a long evening, he stayed at a social media photo booth with sake-related props, joking that he is now a movie star, and continuously welcoming those who wanted to take photos.

The sake-themed social media booth

Innovation in a traditional field

What I learned from this experience wasn’t simply vocabulary related to sake. I enjoyed the film because it is so much about bringing new ideas to a very traditional field. It is refreshing that younger people, as well as non-Japanese citizens, are doing that. (The American citizen and the British citizen in the film were both of the first participants of the JET Programme, so it’s also a nice promotion of this great program.) I was doubly excited to hear from Mr. Kuji that Kampai! For the Love of Sake 2, which has recently come out in Japan, focuses on women brewers (women were traditionally forbidden from even entering the brewery).

And I’m sure that the global popularity of sake will help spur further innovation. The sake event at the Freer|Sackler required no prior registration, but I heard that around 50 people had to be turned away due to the capacity of the auditorium where the film was shown. Some of them stayed nearby until the film was over just to join the tasting, which was held in the hallways surrounding Freer’s courtyard.

I learned a lot from Mr. Kuji, with his optimism and upbeat demeanor, as well as belief in his family business as well as in sake. It was an honor to meet him, and I’m glad I had the opportunity to be involved in this event!